Story
Founded by the Monk Lucian of Alexandrovsk on August 28 (September 10), 1650, on the site of the appearance in 1694 of the icon of the Mother of God of the Nativity of the Virgin Mary, later nicknamed Lucian’s.
The first abbot of the monastery was St. Lucian of Alexandrovsky, Venerable Lucian was born in 1610 in the city of Galich. From the age of 8 he was raised by his father in a monastery. He first came to the site of the future monastery in 1640 and was tonsured a monk here. He was expelled from here three times by local residents. In the Chudov Monastery in Moscow in 1646 he was ordained to the priesthood by Patriarch Joseph. With the help of Moscow merchants, he rebuilt the Church of the Nativity of the Virgin Mary and cells for monastics. In 1654 he founded the convent of the Dormition of the Blessed Virgin Mary in the city of Alexandrov at the request of the Alexandrov merchants. He died on September 8 (21), 1655; the memory of his repose is celebrated the next day.
The successor of the work is St. Luciana became St. Cornelius. Under him, the monastery became widely known for its high spiritual order and external splendor. From 1657 he was rector and died at a ripe old age on August 24, 1681. Lucian's hermitage was cared for by the sovereigns Theodore, John and Peter Alekseevich, other persons of the royal family. Until 2nd half. 17th century all the buildings of the monastery remained wooden, and in 1680-84. By order of Tsar Fyodor Alekseevich, a stone refectory Church of the Epiphany was built with a chapel of Fyodor Stratilates, the Tsar's heavenly patron. At the end of the century, the construction of stone cells began: in 1690 the Treasury building was built, in 1696 - the Bread (Rabbot's) cells and the Hospital Ward, and in 1712 - the Cathedral of the Nativity of the Virgin Mary, consecrated in the presence of the sisters of Tsar Feodor, princesses Martha and Feodosia. Between the cathedral and the refectory church, in 1771 a small chapel was erected over the tomb of Lucian, the founder of the monastery. Catherine's Church was built at the Hospital Ward in 1714. By 1733, a stone fence with seven towers was built around the monastery.
In 1771, the monastery icon of the Nativity of the Virgin Mary became famous for another miracle. After the religious procession performed with the image around the city of Alexandrov, the plague epidemic stopped. Since that time, the religious procession began to take place annually (the tradition continues to this day), and the icon became universally known as “Lukianovskaya”.
In the beginning. 19th century a new Brethren building was built, and a monastery hotel was erected to the south of the monastery. In 1894, the interior of the Cathedral of the Nativity of the Virgin Mary was painted. The monastery had its own horse, brick and tile factories, as well as several mills. Hermitage owned three wooden chapels on the Moscow road and near Pereslavl. In Moscow, at the Sretensky Gate there was a monastery courtyard.
In 1922 the monastery was closed. All property was taken away, some icons and shrines were desecrated and destroyed. The whereabouts of the miraculous icon of the Nativity of the Virgin Mary remains unknown to this day. A nursing home was placed in the monastery, with departments for the mentally ill and the blind.
In 1991, the Lukian Hermitage was the first in the Vladimir diocese to be revived from oblivion. In 1992, the holy relics of St. Luciana. Nowadays they are in the Church of the Epiphany in a carved wooden shrine. The relics of St. Cornelia were found in 1995 and laid in the Trinity Church of the Assumption Convent in the city of Alexandrov.
In 1999, with the blessing of Patriarch Alexy II on Athos, the Greek icon painter Schemamonk Paisius painted the icon “Abbess of Holy Mount Athos” for the monastery. By that time, the Church of the Epiphany had been completely renovated. In 2001, restoration of the Nativity of the Virgin Cathedral began. For a number of reasons, it was never completed, limiting itself to the restoration of the roof, domes and domes of the temple. In 2002, the southern wall was restored - one of the first stone buildings from 1718. One of the seven towers was restored in 2005, and another one was restored in 2011.
At the beginning of 2008, Archimandrite Dosifei (Danilenko), who headed the Lucian Hermitage for 17 years, was transferred to serve in the Spiritual Mission in Jerusalem. Having stayed there for less than a year, on March 13, 2009, while on vacation, he died suddenly of a heart attack. The rite of monastic burial was held on March 18 at the St. Daniel Monastery. Father Archimandrite was buried at the Troekurovsky cemetery in Moscow.
In 2008, Humen Tikhon (Shebeko) was appointed rector of the Lucian Hermitage.
On May 28-29, 2011, celebrations dedicated to the 20th anniversary of the revival of the St. Lucian Hermitage and the Holy Assumption Convent in the city of Alexandrov took place. The monastery was awarded the medal of St. blgv. book Andrei Bogolyubsky, 1st degree “for diligent service.”
The monastery is an example of a late medieval monastery with a regular composition and an ensemble of buildings from the turn of the 17th-18th centuries. The territory, surrounded by walls, has a trapezoidal plan, approximating a square oriented to the cardinal points. From the site of the lost Holy Gate, located in the middle of the southern side of the fence, a linden alley runs north, leading to the monastery square. To the right of the alley there is a large volume of the Cathedral of the Nativity of the Virgin Mary, facing the square with its western facade, at the end of the alley is the refectory Church of the Epiphany. From the west, the square is limited by the Rector's building, a little to the north - the Church of Catherine with hospital cells. To the north stands the Fraternal Corps, stretching from west to east, and to the east of it along the same line are the ruins of the Treasury Corps. A small rectangular pond is located in the northeastern corner of the territory, a larger rectangular pond lined with trees is in the southwestern part of the monastery. A fence with four square and two round towers has been preserved around the monastery. Three arched gates were made in the northern and southern sections. To the south of the monastery complex there is a hotel building. All surviving buildings are built of brick, most of them have plastered or whitewashed facades.
Currently, the monastery has land for farming, vegetable gardens, meadows, a barnyard, and a small apiary. However, the continuation of the restoration of the Cathedral of the Nativity of the Virgin Mary requires a lot of money. There are no destroyed Holy Gates in the monastery; only the foundation remains of the chapel that once stood on the burial site of St. Lucian. The hospital church of the VMC has not been restored. Catherine. The abbot's building, the monastery wall, its towers and much more need major repairs.
About the rules of the monastery
Anyone entering the monastery must know the purpose and meaning of his stay in the monastery - correcting his life according to God's commandments and struggling with his passions. To do this, first of all, it is necessary to have an inner aspiration towards God as the Source of grace-filled life, to always do everything with prayer to Him, to strive to know the meaning and meaning of God’s commandments, to be diligent in reading the word of God. It is also necessary to remain in complete obedience to Fr. Abbot and elder brethren. Attitudes towards food, housing and clothing should be moderate and modest. It is necessary to refrain from idleness, idle talk and, especially, from condemnation. To endure all the sorrows and temptations that occur patiently, without grumbling, with hope for God’s help, treating them as opportunities sent from God for learning and correcting oneself.
Responsibilities of a monastery resident.
- Unquestioningly follow the requirements of the monastic Charter.
- Do not leave the territory of the monastery without the blessing of the Abbot.
- Strictly and promptly attend monastic services, according to the order accepted in the monastery: on weekdays it is obligatory to attend the Midnight Office, on holidays - all holiday services.
- Behave reverently and decorously in the church during the service, both externally and internally: do not engage in idle conversations in the temple, do not walk around the temple during the service and do not leave before the end of the service without good reason, listen carefully to the service and pray yourself.
- Confess to the confessor of the monastery weekly and receive the Holy Mysteries of Christ at least once a month. The confessor of the monastery is the Abbot. In his absence and with his blessing, confession can be accepted by any priest of the monastery. The time of general confession is the evening service on Saturday and the morning service on Sunday.
- Attend the fraternal meal religiously and on time. In the refectory, behave decorously and reverently, as during a divine service, listening carefully to the reading offered. Missing or being late for meals is not allowed.
- Do not keep food in your cell and do not eat food privately.
- Do not hold or drink alcoholic beverages.
- To submit to obediences in a timely manner and to fulfill them conscientiously, with full dedication, as before the face of God, treating one’s obedience as a matter that can serve for the salvation of the soul.
- Do not take anything for yourself from the monastery property and from what is donated to the monastery without the blessing of the Abbot.
- Limit your communication with outsiders to a minimum, do not accept any strangers into your cell, do not use mobile phones without the blessing of the Viceroy.
Holidays and honored dates
Temples and Worships
Cathedral of the Nativity of the Blessed Virgin Mary
In the scribe books of 1675, the temple built by the Monk Lucian in 1649 is described as follows: “In the sovereign’s palace Staroslobodskaya volost in the swamp, the monastery of the Nativity of the Blessed Virgin Mary, Lucian’s hermitage, and on the monastery there is a church in the name of the Nativity of the Blessed Virgin Mary, wood for stone work about five chapters , the heads are scaly, the crosses are upholstered with white iron, and in the church there is God’s mercy...” There were a hundred images in the temple. To the right of the royal doors was the image of the Savior Almighty, Not Made by Hands, then the temple miraculous image of the Nativity of the Blessed Virgin Mary in the Life. To the left of the royal doors was the revered icon of the Most Holy Theotokos “Passionate”, according to legend, brought by the monk from Moscow.
In the last years of the 17th century, through the diligence of the tonsured Lucian Hermitage, the abbot of the monastery from 1694 to 1696, and during the construction period - the cellarer of the Chudov Monastery, Hieromonk Joasaph (Koldychevsky), the construction of a five-domed stone cathedral began on the very spot where the image of the Queen of Heaven appeared and where stood the first wooden church of the Nativity of the Virgin. The construction of the cathedral continued under the builder, Hieromonk Moses (he ruled the monastery from 1696 to 1705). The temple was built at the expense of the Moscow merchant Onisim Feodorovich Shcherbakov and other zealots named in the annals of the monastery.
The cathedral was consecrated in 1712 by decree of Tsar Peter Alekseevich and the blessing of Metropolitan Stephen, Locum Tenens of the Patriarchal Throne, under the leadership of the Lucian Hermitage builder Abraham. The consecration was attended by the sisters of Tsar Peter Alekseevich, princesses Marfa and Feodosia Alekseevna.
The cathedral was five-domed and had a porch. The middle chapter of the cathedral was covered with white iron, the other four were covered with green tiles. The crosses on the domes were gilded. The cathedral had a five-tiered carved gilded iconostasis. To the right of the royal doors was an ancient image of the All-Merciful Savior in a silver-gilded robe, and behind it in a row was the miraculous image of the Nativity of the Blessed Virgin Mary in the form of a centerpiece inserted into the icon with the marks of the life of the Blessed Virgin Mary. The decoration of the cathedral was attended by royal isographers from the school of icon painter Simon Ushakov and goldsmiths from the Armory Chamber of the Moscow Kremlin.
Not only members of the royal family, but also the royal servants, persons of noble families close to the royal court took part in the improvement of the cathedral. At this time, numerous contributions were received from people of different classes: landowners, merchants, military officers of various ranks and other patrons and admirers of the monastery, including from residents of the city of Alexandrov. In the synodikon of the Lukian Hermitage, the boyars Miloslavsky (relatives of the first wife of Tsar Alexei Mikhailovich), Lopukhins (relatives of the first wife of Peter Alekseevich) and many noble and unknown families are remembered. This is how the prophecy of St. Lucian came true: “... and great people, princes and bolyars, and noble kings will visit you.”
The white cathedral church with golden crosses only once required major repairs, which was done under the rector, Father Plato, in 1850. The porch, which surrounded the cathedral on three sides, was decorated with bright tiles with floral patterns on the outside. They were made at the monastery tile factory. The top of the cathedral was painted with frescoes of the twelve great holidays. Until the beginning of the 20th century, the cathedral was not painted from the inside. It was only by 1894 that its interior walls and, apparently, galleries were painted with scenes from the life of Jesus Christ in the Byzantine style and figures of individual saints. The cathedral was decorated with a porch made of white stone.
The majestic gilded six-tiered iconostasis of the cathedral housed ancient revered icons of the 16th-17th centuries: to the right of the royal doors is the image of the Savior not made by hands with two forthcoming Angels in a new silver robe, behind it in a row in an icon case under a carved canopy is the temple miraculous icon of the Nativity of the Blessed Virgin Mary, inserted into a frame with twelve marks of the life of the Virgin Mary; to the left of the royal doors is the image of the “Passionate” Mother of God, brought by the Monk Lucian from Moscow, and the ancient Mother of God image of the “Burning Bush”. This image had stamps on which the apparitions of the Mother of God were depicted.
In 1893, under Abbot Jerome (abbot 1887 - 95), the monastery solemnly celebrated the 300th anniversary of the appearance of the miraculous icon of the Nativity of the Blessed Virgin Mary. We were seriously preparing for the celebrations. At this time, painting appears on the interior walls of the temple. Academic in style, in the style of late classicism, the paintings illustrated the life of Jesus Christ and depicted saints. The saints were placed below between the windows, gospel scenes - above the windows, three on each wall. The writing is chiaroscuro, the proportions are somewhat refined, the drawing is correct, the colorful combinations are restrained.
On the northern wall there were compositions: “Healing of the Man Born Blind”, “Sermon of John the Baptist in the Wilderness” and “Blessing of the Children”. In the bottom row between the windows were depicted the Reverends Cyril, Andrew and John.
On the south wall were depicted “The Resurrection of Jairus’s Daughter,” “The Sermon on the Mount,” and “The Healing of the Paralytic.” Between the windows are St. Ephraim and Euthymius.
On the western wall there were three compositions: “The Baptism of Rus'”, “The Mother of God Enthroned with Saints” and “The Baptism of Olga”. Between the windows of the lower row were painted the saints Savvaty, Sergius and Jerome, Anthony and Theodosius, and Daniel.
After the monastery was closed in 1920, the central part of the cathedral was mainly used as a clothes dryer, therefore, by the grace and providence of God, most of the paintings have been preserved to this day. For now they delight the eyes of the brethren and the few pilgrims of our monastery, but in the future, we hope, they will again shine with their beauty for all those praying in the restored temple.
The facade repairs of the temple were carried out in the early 2000s, but, unfortunately, the restoration of the temple after the devastation of the atheistic years was limited to this.
The temple is under restoration.
Temple in honor of the Epiphany of the Lord
1658 - 1684
Under the Venerable Cornelius, a second temple was erected in the Lucian Hermitage in 1658 - in honor of the Epiphany of the Lord. This temple was warm, unlike the first cold one in honor of the Nativity of the Virgin Mary. The Epiphany Church stood for ten years, after which the Monk Cornelius asked the Patriarch for blessings to dismantle it and rebuild it. “... a warm wooden church of the Epiphany of the Lord was built... Opposite the warm church there is a tented bell tower, there are seven bells on it, an iron clock is connected to the same bells” (scribe book for 1675).
Monday, Tuesday, Wednesday, Thursday, Friday, Saturday
By: Mon., Tue., Wed., Thursday, Fri., Sun.
By: Sat., holidays
To: Sun., holidays
In 1680, the wooden church was dismantled due to its disrepair, etc. Cornelius asked Patriarch Joachim for a blessing to build a new stone church. The new temple was completed in 1684, already under its successor, the builder Evagrius, and was consecrated on August 30 of the same year.
By building in it a chapel of the Holy Great Martyr Theodore Stratilates, the heavenly patron of Tsar Theodore Alekseevich, the Monk Cornelius worthily honored with eternal prayerful memory the king-benefactor, who throughout his six-year reign favored Lucian's hermitage, both with his personal visits and contributions. The Tsar loved to make pilgrimage trips to Zalesye and repeatedly visited Lucian’s Hermitage on those occasions when his path passed in this direction. He revered Lucian’s miraculous image of the Nativity of the Mother of God, honored the memory of the founder of the desert, St. Lucian, and used the advice and instructions of St. Cornelius. And, as a consequence of his benevolence, he generously endowed Lucian’s hermitage with lands and lands. In the sacristy of the monastery, before the revolution, his original charters of 1677, 1678, 1680 and 1681 were preserved. to own the granted lands, which became the main source of wealth for the monastery. The monastery kept the memory of each personal visit of the king. It was September 19, 1677, when he went from Moscow to Alexandrov Sloboda and after that visited the Lukian Hermitage, September 21, 1678, under the same circumstances, September 15, 1679 on the way to Pereslavl Zalessky, having stayed in the desert for two days.
This wonderful temple, which still exists in the monastery with minor renovations, is a striking example of the skill of Russian architects of that time. Its two heads were covered with wooden scales, the cross with white iron, and the roof with planks. Inside the temple, everything was simple, free of pretentiousness, everything was conducive to prayer, the walls were not painted until the 20th century. The icons in the iconostases of two chapels - the Epiphany of the Lord and the Great Martyr Theodore Stratelates - were large in size, not covered with vestments. They were decorated with chased silver crowns, gilded with stones, as well as pearl necklaces. In the four-tiered iconostasis of the main chapel, to the right of the royal doors, the temple icon of the Epiphany of the Lord was placed, and to the left of them was the Iveron Icon of the Mother of God. This was one of the early copies of the icon brought from Athos to Moscow during the reign of Alexei Mikhailovich. Thus, the Goalkeeper of Mount Athos guarded Lucian’s monastery from the end of the 17th century.
In the refectory part of the temple, on the first pillar hung the image of the Nativity of the Blessed Virgin Mary, and around the image, which was a centerpiece, the Lord's and Theotokos' feasts were written; they were under a gilded silver frame.
There were fifteen bells on the bell tower: one large, one everyday weighing 21 pounds 28 pounds, seven small and six more small.
“Shelves” were made under the temple to store monastery property and household supplies.
In a special room there was the sacristy of the monastery, in which two ancient Gospels of the Moscow press (one from 1677, and the other from 1685), richly decorated, were kept, two silver-gilded crosses with particles of relics - contributions from admirers of the Lucian monastery, church vessels - the contribution of Grand Duchess Natalya Alekseevna. Four letters of Tsar Theodore Alekseevich and other monastic documents were kept here.
The temple iconostases were two-tiered. Unfortunately, they have not survived. It can be assumed that some icons were painted by famous painters; most likely they were local icons. In the synodikon of the Lucian Hermitage the names of the painters are recorded: sovereign Simon Ushakov, patriarchal Feodor Elizarov, painters of the Armory Chamber Karp Ivanov, sovereign Feodor Evstifeev. We can say with almost certainty that the temple icon that was in the iconostasis of the chapel of Theodore Stratilates. written by one of these painters.
In 1892, a tented porch was built in front of the bell tower.
In 1911 the temple was painted.
During the Soviet period, the domes were lost, the windows of the second floor and the refectory were chipped, the decoration of the facades was partially lost, the quadrangle was covered with a four-slope slate roof, the top was completely lost, and an additional entrance was attached to the altar. The wide arched opening connecting the main volume with the aisle was partially blocked. Before the monastery was transferred to the Church, there was a dining room in the church.
After the opening of the monastery, the Church of the Epiphany began to be restored very first. With God's help, all historical architectural forms were restored.
The temple is located in the central part of the monastery ensemble. This is a type of three-part pillarless temple of 2 lights. A tall, pillarless quadrangle unites the main volume of the temple itself and the northern aisle. The double-domed volume of the temple is quite rare for the architecture of the 17th century, as is the two-pillar refectory part elongated along the longitudinal axis. The temple and the refectory form a single, longitudinally elongated two-story volume, ending in the east with two faceted apses: a larger one in the south and a smaller side apse in the north. Above the eastern part of the total volume rises a quadrangle common to the main and side churches, elongated in the transverse direction and ending with two domes on round blind drums. From the west rises a tented bell tower with an octagonal ringing tier on a square base in plan and with two tiers of rumors in the tent. In front of the bell tower there is a porch with a tetrahedral tent on four pillars.
The warm winter refectory and warm temple premises were located on the first floor, and the summer ones on the second. The refectory halls on both floors are covered with a system of box vaults on strippings, supported by two square pillars. The premises of the Church of the Epiphany on both floors are larger, while the chapel of Theodore Stratelates is very small in size and has a small apse. Both the temple, its apse, and the chapel are covered with box vaults, while the apse of the chapel is covered with a faceted conch. The rooms on the sides of the bell tower have tray vaults.
Temple in honor of the Holy Great Martyr Catherine
Catherine's Church is located in the northwestern part of the monastery ensemble. It stands next to the ruined remains of a hospital ward built at the end of the 17th century. The small temple, built of brick, initially received discreet decoration in the spirit of late classicism. The volume of the temple, rectangular in plan, extends from the north to the south and is completed with a late hipped roof with a bulbous dome on the original round blind drum.
Preparations for the construction of the temple began in 1712. On March 1, 150 barrels of lime were prepared for the hospital church, “500 fathoms of firewood were purchased for firing bricks for the construction of the hospital church.”
On May 13, 1713, the builder Avraamy submitted a petition to Tsar Peter Alekseevich “that they have not built a Church of God in the desert near the hospital, and many of the monks in the hospital, due to ancient times, cannot go to the cathedral church with the other brethren for the liturgy, and now Lieutenant Colonel Kirillo has promised to contribute to them Karpov’s son Sytin rebuilt a stone church in that hospital in the name of the Great Martyr Catherine” and asked permission to do so. Metropolitan Stefan, the guardian of the patriarchate, gave a blessed letter for the construction of the hospital church.
The temple was built at the expense of the landowner of the village of Dubrovy, Lieutenant Colonel Kirill Karpovich Sytin. The church building was built in 1714. Immediately behind the temple there was a brotherly cemetery; it was adjacent to the building of the monastery hospital for the convenience of attending services for the sick and infirm monks kept there. The temple was consecrated on November 10, 1714, at the request of the temple builder, in honor of the Holy Great Martyr Catherine.
The first description of the Catherine Church dates back to 1718: “At the hospital there is a stone church in the name of the Holy Great Martyr Catherine. The church has a wooden dome, upholstered with wooden scales, an iron cross with a gilded shine in one direction. There are six glass windows in the church and the sanctuary.”
The inventory of the monastery for 1756 noted that the church was “empty.” Apparently, by 1756, no services were held in the temple.
By 1772, the Church of the Great Martyr Catherine was “renovated by the landowner Karp Kirillovich Sytin.” Apparently, the son of Kirill Karpovich Sytin, at whose expense the temple was built.
In 1834, the building was rebuilt again “at the expense of the Alexander 2nd Guild of merchants Ivan, Grigory and Alexander Dmitrievich Ugolkov-Zubov.”
In 1891, a new ceiling, beating and floor were made in the Catherine Church. The temple and its sacristy are faced inside and out with bricks and cement mortar, again plastered and painted with oil paint. “Two crosses are gilded, the entire roof is painted copper, the entrance to it is reattached on the south side.” The interior of the temple is painted. The temple was consecrated again on July 29, 1891.
The first iconostasis of the Catherine Church was built in 1714 in “one belt with carved pillars and a canopy over the royal doors, and a special mark.”
In 1806, the iconostasis was gilded and updated with newly painted images.
According to the decree of the spiritual consistory of February 16, 1833, it was allowed in the Catherine Church “to rebuild the iconostasis, which had become dilapidated and faded, and to paint icons in it again after the dilapidation of the previous ones.” This work was carried out at the expense of Ivan and Grigory Dmitriev Zubov.
In 1891, in the Catherine Church, “the iconostasis was rebuilt with new carvings, painted and gilded. The icons have all been corrected again.” This new three-tier iconostasis is described in the inventory of the Lucian Hermitage for 1895: “The carpentry iconostasis has three tiers. The royal doors are carved, on them are icons: the Annunciation of the Most Holy Theotokos, ... On the right side of the royal doors are icons of the Lord Pantocrator, ... On the southern door of the Archangel Gabriel, the Great Martyr Catherine, ... On the left side of the royal doors are icons of the Mother of God with the Eternal Child sitting on the throne ... On the northern door of the Archangel Michael, All Saints..., St. Nicholas. In the second tier there are icons: above the royal doors of the Last Supper. On the right side of the icon: the Life-Giving Trinity, the Epiphany of the Lord, the Ascension of the Lord. On the left side are the icons of the Nativity of the Blessed Virgin Mary, the Nativity of Christ, the Entry into the Temple of the Blessed Virgin Mary. In the third tier there are icons. In the middle is the Position of the Savior in the tomb. On the right side is the Prayer for the Cup, the Kiss of Judas, the Meeting of the Lord, the Transfiguration of the Lord. On the left side is the Descent from the Cross, the Entry into Jerusalem, the Exaltation of the Honorable Cross of the Lord, the Dormition of the Blessed Virgin Mary.” In this inventory behind the throne, “a seven-candlestick gilded metal candlestick on the same chains with seven cups is indicated... In the middle of the church there was a bleached copper chandelier, gilded in places with 24 candlesticks on iron chains, lowered along the booth.”
After the closure of the monastery in 1925, a club was equipped in the Catherine Church. In the post-war period, the monastery housed a nursing home, where the elderly and the “quietly insane” were kept (the “violently insane” were sent to Vladimir). The Church of the Great Martyr Catherine with a hospital ward was adapted to the needs of this institution. In the altar part of the Catherine Church there was a bakery, and in the other part there was a bathhouse, which was heated with wood.
In the bathhouse there was a huge cauldron built into the stove, where water was heated, and next to it stood a huge, man-sized, vat for cold water. Water was supplied here by a water tanker. The working day of the bathhouse was as follows: one day was for men, the other was for women. The remaining days were given over to the laundry, where government-issued disabled clothes were washed by hand.
The home for the disabled was opened at the end of 1984, and since then the monastery has been formally on the balance sheet of the Vladimir Regional Department of Culture. But in fact, the monastery was left to the mercy of fate, the territory of the monastery was not guarded by anyone, and during these 7 years before the transfer of the monastery to the Church of the Deserts it suffered significant destruction. The buildings fell into disrepair and were dismantled for building materials. At this time, the hospital ward at the Catherine Church was also lost, and the temple itself fell into disrepair.
By: Sat., holidays
To: Sun., holidays
Vladimir region of Russia, part of the Slednevsky rural settlement. The village is located 13 km north of Aleksandrov.
“The executive committee of the Lukyantsevsky Village Council serves 23 settlements. Some villages are up to 30 kilometers away from the village council. When contacting the village council for information or other issues, the population had to spend a lot of time. Not long ago, at a session of the Village Council, to better serve the population, 4 village committees were organized on a voluntary basis: Kiprevsky, Zheldybinsky, Novoselovsky and Akulovsky. They included comrades who had previously served as chairmen or secretaries of village councils and had sufficient experience. Village committees have been instructed and provided with all the necessary forms, books, and paper. They will hear reports from employees of retail outlets in rural areas, and examine complaints and statements. All four village committees are already operational. The Kiprevsky village committee (chairman S.A. Mezhueva) developed the work most fully. Several complaints have been reviewed here and appropriate action has been taken. Public village committees are the sprouts of communist principles in the countryside. They need to be developed. This is the task of the workers of the village councils and the entire public" (L. EROKHINA, secretary of the Lukyantsevsky village council. Newspaper "Forward", August 14, 1964).
Population: in 1859 – 20 people, in 1905 – 60 people, in 1926 – 193 people, in 2002 – 60 people, in 2010 – 97 people.
In the village there is the Lukyan Monastery (Lukian Monastery).
Mother of God of the Nativity of St. Lucian's Hermitage
Mother of God of the Nativity of St. Lucian's Hermitage
The monastery was founded by St. Lucian at the site of the miraculous appearance of the icon of the Nativity of the Blessed Virgin Mary.
Appearance of the icon of the Nativity of the Blessed Virgin Mary
The history of the Lucian Hermitage begins with an event that occurred in 1594. In the village of Ignatiev, not far from Alexandrova Sloboda, a wooden church was built in honor of the Nativity of the Blessed Virgin Mary at the behest of Tsar Theodore Ioannovich and with the blessing of His Holiness Patriarch Job. One day, the priest of this church, Father George, entering it before the start of the service, did not find the temple icon of the Nativity of the Blessed Virgin Mary. Despite intensive searches, the icon could not be found. However, a few days later, one of the local residents discovered the missing icon in the nearby forest. “And then that dearest treasure appeared to him - the holy icon of the Mother of God. Ole miracle, standing about itself, in the air..."
When this was announced to the priest and parishioners, they hurried to the appointed place, and everyone saw with their own eyes what the man who was the first to see the miracle of God told them about. “They fell before the image of the Most Holy Theotokos, praying with tears for many hours.” And then the icon was taken with reverence and fear, wrapped in a phelonion and taken back to the temple. After some time, everything happened again: the inexplicable disappearance of the icon from the temple, its appearance in the same deserted place and standing “in the air.” The icon was returned to the temple for the second time and soon appeared again in a deserted place. Then, after consulting with the parishioners, Father Gregory turned to St. Job, Patriarch of Moscow, with a request to bless the transfer of the wooden church from the village of Ignatiev to the site of the miraculous appearance of the icon of the Most Holy Theotokos. The blessing of His Holiness the Patriarch was given, and the temple and icon were moved to a new location.
During the Polish invasion, the church was plundered and was abandoned for a long time. The roof on it rotted and collapsed, many icons were “faded”, only the miraculous image of the Nativity of the Blessed Virgin Mary and the altarpiece of the Blessed Virgin Mary of Smolensk Hodegetria remained intact.
In the troubled times of the early 17th century, the village of Ignatyevo suffered greatly and was depopulated; the temple survived, but was abandoned for thirty years.
All R. In the 17th century, on this site the Monk Lucian founded a monastic monastery in honor of the Nativity of the Blessed Virgin Mary, later called the Lucian Hermitage.
Life of St. Lucian
St. Lukian Alexandrovsky. Engraving. Sergiev Posad. 1868 "Taken from his tombstone icon"
But the enemy of the human race, through unkind people, local residents, initiated persecution against the ascetics. The brethren were dispersed, and Lucian was sent to Moscow, unjustly accusing him of “unclean life.” There he was assigned to menial work at the Chudov Monastery. The monk humbled himself and meekly bore the most difficult obediences, surprising all his inhabitants, and especially the abbot. Soon, a monk of the newly formed monastery there arrived from the Arkhangelsk region to the Patriarch with a request to bless the abbot there. The Patriarch, on the advice of Chudovsky Archimandrite Kirill, ordained Lucian as a hieromonk and in 1646 appointed him rector of the Arkhangelsk monastery.
However, even there, many sorrows and hostility awaited him from the brethren, who did not like Lucian’s strict monastic order. Lucian did not insist; Having thanked God for everything, he blessed the brethren and retired to his beloved wilderness.
He was expelled again, but a year later he returned with the patriarch’s blessed letter. With him came several people who made up the spiritual army, from which the former haters of the desert retreated. It happened like this. Living in the Miracle Monastery, St. Lucian could not remain silent about his desert, chosen by the Queen of Heaven Herself. Pious people from Moscow were imbued with love and jealousy for this holy place. They asked the Tsar and the Patriarch to issue a charter and blessing for the construction of the desert, and to approve Lucian as abbot. This third undertaking of the monastery took place in 1650.
The merchants of Alexandrova Sloboda asked St. Lucian about the creation of a monastery for nuns from the settlement, in which they wanted to see him as a shepherd and trustee. To many of their requests, the Reverend humbly agreed, and the monastery was built there in 1654. The Alexander monastery became a dormitory and was headed by the abbess, and the Reverend was a shepherd and father for the sisters, tirelessly caring for everything necessary for life and salvation. So in the care of St. Lucian found two monasteries.
Before reaching old age, the ascetic approached the threshold of death. He reposed in 1655, on September 8, on the patronal feast day of his monastery. He was buried, according to his will, not far from the Church of the Nativity of the Virgin.
The veneration of St. Lucian, the miracle worker of Alexander, began immediately after his repose.
In the beginning. XVIII century, under Abbot Abraham, his life was written according to the memoirs of his associates. In the same chronicle, 11 miracles were recorded, performed through the prayers of the Reverend and by the grace of the Most Holy Theotokos from Her holy miraculous icon. One of the copies of this manuscript has been preserved and is now in the Russian State Library.
In 1771, the grateful residents of Alexandrov, delivered from pestilence by the help of God and the performance of a religious procession with the miraculous icon of the Nativity of the Blessed Virgin Mary, built a chapel over the grave of St. Lucian, which was painted inside with the sayings of the St. Lucian and scenes of his life. During the years of persecution of the faith, after the closure of the monastery, this chapel was completely destroyed in 1926, but, by the providence of God, the relics of St. Lucian were not touched, while the burials in the crypt of the Cathedral of the Nativity of the Virgin were completely plundered. After the opening of the monastery in 1991, in the fall it was decided to find this precious treasure - the holy relics. This was done, with the help of God, the following year, 1992, and since then the Monk Lucian has rested with his holy relics in the Church of the Epiphany.
Memory of St. Luciana September 22.
The relics of St. Luciana. Located in the Church of the Epiphany.
The continuator of the spiritual tradition of St. Luciana became St. Cornelius. Then both monasteries were known far beyond the borders of the Suzdal diocese for their high spiritual order and external splendor. Since 1658, Rev. Cornelius was “made the builder and confessor of both monasteries - his own and the maiden’s in Alexandrova Sloboda.” At the request of the abbess of the Assumption Monastery, Anisiy, the blessing of the saint and a letter were received, in which the monk was ordered to live in the Assumption Monastery and to travel to the Lukian Hermitage “from week to week.” The mentorship of the hieromonks of the Lucian Hermitage in the Assumption Monastery continued until its closure; its last confessor was Abbot Ignatius. Under the monk Cornelius, a second, warm temple was erected in the Lucian Hermitage - the Epiphany. A tented bell tower was built.
In 1675, “there were 15 cells in the monastery, and Elder Cornelius and his brethren lived in them. The holy gate is tented. The monastery is surrounded by a fence. Behind the monastery there is a stable and cattle yard.”
The wooden Epiphany Church was dismantled in 1680, and in its place construction began on the stone Church of the Epiphany with the chapel of the Great Martyr Theodore Stratilates, the guardian angel of Tsar Theodore Alekseevich, who repeatedly visited the monastery. The temple was consecrated already under the successor of the Monk Cornelius, Evagrius.
For more than 20 years he labored in the establishment of monasteries founded by St. Lucian, and relentlessly followed his precepts.
St. Cornelius died on August 24, 1681.
In 1982, he, together with Rev. Lucian, were glorified among the locally revered saints of the Vladimir diocese.
Days of celebration: July 6 (June 23, old style); September 21 (September 8, old style).
Chapel at the tomb of St. Lucian
In the 18th century A stone chapel was built over the grave of St. Lucian
Reliquary with the relics of St. Lucian of Alexander 
Memory of St. Luciana
The Lukian hermitage was patronized by the sovereigns Theodore Alekseevich, John and Peter Alekseevich, and many princesses who granted it lands. This is how the prophecy of St. Lucian came true: “...and great people, princes and bolyars, and noble kings will visit you.”
After St. Cornelius, the monastery was ruled by the builder Evagrius from 1681 to 1689.
Church of the Epiphany
The Church of the Epiphany was built in 1684.
In 1689, while in the Assumption Monastery of Alexandrova Sloboda, His Holiness Patriarch Joachim “on the 20th day of September... granted in Alexandrov Sloboda of the Pereslavl district of Zalessky the Lukyanova hermitage to the builder Elder Andreyan and his brothers of alms 10 rubles.”
The builder Adrian ruled the monastery from March 9, 1689 to 1690, and after him Sergius ruled from 1690 to 1693. In the monastery in 1694-1696. the abbot's building was built (added in the 1950s), the treasury building in 1690.
In the last years of the 17th century. Through the zeal of the tonsured Lucian Hermitage, rector of the Hermitage (from 1694 to 1696), and during the construction period, the cellarer of the Chudov Monastery, Hieromonk Joasaph (Kolychevsky), the construction of the stone five-domed Nativity of the Blessed Virgin Mary Cathedral began on the site of the appearance of the miraculous image of the Blessed Virgin Mary (and where the first stood wooden church of the Nativity of the Mother of God).
The cathedral continued to be built under the builder, Hieromonk Moses (he ruled the monastery from 1696 to 1705, and retired from 1709). The temple was built with funds from the Moscow merchant Onisim Feodorovich Shcherbakov and other zealots named in the annals of the monastery.
Church of the Nativity of the Blessed Virgin Mary
The Cathedral of the Nativity of the Blessed Virgin Mary was consecrated in 1712 under the rector Hieromonk Abraham (appointed rector in 1705). The consecration was attended by the sisters of Tsar Peter Alekseevich, princesses Marfa and Feodosia Alekseevna. In the cathedral, after many years of ruin and neglect, large fragments of paintings from the mid-19th century have been preserved.
Hospital Church of St. Catherine
In 1714, at the expense of Lieutenant Colonel Kirill Karpovich Sytin, the owner of the village neighboring the desert. Dubrov, the father of Elizaveta Kirillovna Shubina (nee Sytina), buried near the cold cathedral, a stone hospital church of the Great Martyr Catherine was built. In 1713, the abbot of the Abrahamia monastery submitted a petition to Tsar Peter Alekseevich, “that they had not built a Church of God in the desert near the hospital, and many of the hospital monks, due to ancient times, could not go to the cathedral church with the other brethren, and now Lieutenant Colonel Kirilo was promised to contribute to them Karpov’s son Sytin to build a new stone church in the name of the Holy Great Martyr Catherine at that hospital.” The church was rebuilt in 1834 at the expense of the Alexandrovsky 2nd guild of merchants, brothers Ivan, Grigory, Alexander Dmitrievich Ugolkov-Zubov. There were hospital cells near the church. The southern part of the stone fence with the holy gate (the gate was destroyed during Soviet times) and two towers were also built.
Under the builder Abraham, a synodik and an insert book were established in the monastery, and a chronicle was compiled about the beginning of the desert, the life of St. Lucian and the history of miracles from the revealed icon. In 1717 he was elevated to the rank of abbot. Hegumen Abraham died in 1718 and was buried under the altar of the Church of the Nativity of the Blessed Virgin Mary.
According to the monastery inventories of 1718, the hermitage belonged to three wooden chapels with holy icons, located on the Moscow road and near Pereslavl. In Moscow, at the Sretensky Gate there was a courtyard of the Lucian Hermitage.
Since 1719, the monastery was ruled by Abbot Joasaph (d. 1724). In his place on August 12, 1724, the builder Joasaph was appointed, and on January 22, 1727, he was transferred to the Pereslavl Danilov Monastery.
In 1728, the sacristan hieromonk Onuphry and all the brethren of the Lukyanova Hermitage turned to Emperor Peter II with a request to restore the abbot in the Lukyanova Hermitage. “Your pilgrims, the Pereyaslavsky district of Zalessky, the Lukoyan hermitage, hieromonks and hierodeacons and all the brethren, beat their foreheads. By decree... of Sovereign Peter the Great... and with the blessing of the then ruler of the throne of the All-Russian Patriarchate, His Eminence Stefan of Yavorsky, Metropolitan of Ryazan and Murom, in 1717, in the monastery of our Lukoyan Hermitage, an abbot was created from the builders, and Abrahamia was dedicated as the first abbot, and after his death... hegumens were appointed to our monastery: Hieromonk Varlaam was from Pereslavl from the Nikitsky Monastery, and after him... Hieromonk Joasaph was the abbot of our Lukoyan Hermitage, and after him, Joasaph, was from Pereslavl, Borisoglebsk the builder of the monastery was Joasaph, and from us he was taken to Pereslavl in the Danilov Monastery to become an archimandrite, and when the former Novogorod Archbishop Theodosius was in charge and a decree was announced from the Holy Governing Synod to diminish the power of the monasteries and assign small monasteries to large ones, then in Our monastery's abbess was cut short, and now among us, your pilgrims, a builder has been commissioned - that's another year - of our monastery, Hieromonk Joseph, and he is an ancient man, and weak, and comes to the church in need, and cannot endure his service. And now we... seeing your all-merciful mercy, that in many monasteries the previous ranks of rulership have been renewed and are honored to continue to exist, for this reason we, the pilgrims, and in our monastery Lukoyanov Hermitage, both we are monks and contributors, from the general We wish to have consent as before to have the abbot, whom, according to us... we have now chosen the Miracle Monastery, which is in the Kremlin, Hieromonk Macarius, seeing and seeing him worthy of being an abbot for this reign... by decree of His Imperial Majesty, the Most Holy Governing Synod ordered: of the above-mentioned Chudov Monastery, Hieromonk Macarius, to the aforementioned Lukoyanov Hermitage... to make hegumen...". On October 5, 1728, Hieromonk Macarius was elevated to abbot of the Lukyanova Hermitage; on October 27, 1729, he was dismissed due to illness.
On October 29, 1729, the former builder of the Solbinsky Monastery, Varlaam, was appointed rector of the Lukyanova Hermitage. He ruled the Lukyanova Hermitage until 1732. In 1732, Abbot Varlaam was released due to illness, witnessed by the brethren of the Lukyanova Hermitage, up to 20 people. His place of residence was indicated as Nikolskaya Hermitage on the river. Solbe.
The construction of the walls (a stone fence with seven towers was built in 1712-1733) was completed under the abbot, Abbot Macarius (he ruled the monastery from 1730 to 1733).
In 1733, hieromonk Jessei from the Spaso-Kukotsky Monastery was appointed rector of the Lukian Monastery, with the elevation to the rank of hegumen; he is mentioned in the documents of the monastery until 1740
From 1754 to 1755 the monastery was ruled by Abbot Bogolep. In 1764, with the establishment of states, the abbots of the Lucian Hermitage were no longer in the rank of abbot, but of construction. Hieromonk Ioannikiy, transferred from the Peshnosha Monastery, ruled the Lucian Desert from 1767 to 1772.
In 1771, at the request of the residents of the city of Alexandrov, an annual religious procession with a miraculous icon was established in the sixth week of Easter from the Lucian Hermitage to Alexandrov in memory of the deliverance of the city and the surrounding area from the plague. On the way to the village. Baksheev had a prayer service for the miraculous icon with blessing of water, then three more, the last in Alexandrov, in Sloboda Sadovnaya, where the icon was greeted by a procession of the clergy of the Alexandrovsky Monastery and the city Transfiguration Church. After Ioannikiy, the builders ruled: Filaret (from 1773 to 1777), and Macarius (from 1792 to 1798).
Since 1792, the abbot of the Lucianova Monastery was Abbot Macarius, in the world the priest Yakov Ozeretskovsky. (until 1792 - abbot of the Arkhangelsk Monastery in the city of Yuryev-Polsky, buried in the Lucianova Monastery). He was the father of two famous persons in Russian history: the natural scientist and traveler, academician Nikolai Yakovlevich Ozeretskovsky (1750-1827) and the first chief priest of the army and navy, Pavel Yakovlevich Ozeretskovsky (1758-1807).
On September 17, 1799, Lucian's builder Joasaph was transferred to the Vyaznikovsky Annunciation Monastery, and from there Hieromonk Theophilus was transferred to Lucian's Hermitage.
At the beginning of the 19th century. The monastery was run by hieramonks Andrei and Nikander.
In 1804, the monastery was managed by the builder Hieromonk Nikon, prefect of the Vladimir Theological Seminary, from 1810 to 1811 - by the builder Ignatius.
In 1815, the rector was Hieromonk Israel. From 1818 to 1825 it was managed by the builder Cyprian.
According to the plan of 1824, in the desert at that time there were: the Cathedral of the Nativity of the Blessed Virgin Mary, the Church of the Epiphany with the chapel of the Great Martyr. Theodore Stratelates, hospital church of the VMC. Catherine, chapel of St. Lucian, a two-story rectory and two fraternal buildings, as well as a one-story hospital building.
The monastery was surrounded by a stone fence with holy gates and seven towers.
East Tower
He had his own horse, brick and tile factories, as well as several mills. On the patronal feast of the Nativity of the Blessed Virgin Mary, an autumn fair of many thousands traditionally gathered near the walls of the monastery.
Under Abbot Platon in 1850, the cathedral was overhauled, and the porch surrounding it on three sides is decorated with tiles.
Hegumen Macarius
Hegumen Macarius (Mikhail Mylnikov, a native of the city of Murom, from the merchants), who served as abbot from 1860 to 1874. At the holy baptism of Mikhail, he came from a merchant family of the city of Murom. From an early age he showed an inclination towards monasticism and wanted to enter a monastery. There were then two men’s monasteries in Murom, but the young man seeking salvation went to the Sarov Hermitage, then famous for the strict ascetic life of its inhabitants. There he began his monastic life, being appointed a novice there. He lived for nine years in the Sarov Hermitage, spending some time in obedience to the famous ascetic Hieroschemamonk Alexander. Hegumen Macarius subsequently always admired the monastic life in the Sarov desert and was inspired by the reverent memory of its great ascetics. From Sarov, Mikhail moved to the Spaso-Bifansky Monastery, where in 1838 he was tonsured a monk and named Macarius, from where he entered as a hieromonk in 1843 into the monastery of St. Stefan, Makhrishchsky. Before this, Macarius lived for three years in the Nyamets Lavra and from then on especially honored the memory of the elder Paisius Velichkovsky who glorified it. After living for 8 years in the Makhritsky Monastery, he was assigned to the Zolotnikovskaya hermitage as treasurer, and was soon confirmed there as a builder. Having improved the monastery, in 1860 he was appointed as a builder in the Lukian Hermitage, where a year later, as a reward for his diligent service, he was promoted to the rank of abbot in 1861.
Taking over the monastery's economy in a disorganized state, Fr. The abbot, correcting its shortcomings to the best of his ability, managed to erect a number of significant buildings during his 14-year abbotship. Near the monastery, a two-story stone building with two wings and a stone fence around them was erected. This building was intended for a hotel and a hospice. The parochial school was located in the hotel for pilgrims. At the monastery school, orphans from soldiers' families who lived in an orphanage near the desert were taught literacy and church singing.
Currently, the building of the hospice house outside the fence of the Lucian Hermitage is the work of Fr. Macaria is in a poor state. Deprived of a roof, it is gradually collapsing.
Hospital building 
In the monastery itself, he built a two-story stone building for fraternal cells, which is still the main residential and utility building of the monastery.
Fraternal Corps
Life o. Macarius, as a strict ascetic and a fair leader, was an example to follow for both monks and laity. The diocesan authorities rewarded his diligent service in every possible way. He was awarded a gold pectoral cross and the Order of St. Anne, 3rd degree.
At this time, there were 30 brethren in the monastery, 3-4 hieromonks and 2-3 hierodeacons.
Hegumen Macarius strove even more zealously for the spiritual creation of monastic life in the monastery. To this end, he, imitating the rules of the Sarov Hermitage he revered, introduced strict community life and earnest worship with ancient crowd singing and drawn-out reading. After the kathismas, the Sunday antiphons were chanted. At the polyeleos, the chosen psalm was sung in its entirety and every three verses the celebration of the holiday. On local and major holidays, the chants prescribed by the Rule in the canon were not read, but were sung, and after the sixth ode there was a reading of the synaxarion; after the Six Psalms, before the kathismas, there was always a reading of the explanatory Gospel. On Great Pentecost, after the kathismas, the works of St. John Climacus were read. Divine services in the Lucian Hermitage were held in the following order: at four and sometimes at three o'clock the midnight office and matins were performed, at nine o'clock the liturgy, at four o'clock in the afternoon the supper, and on major holidays and on Sundays at six o'clock in the evening the all-night vigil.
Abbot Macarius (Mylnikov) died in 1874 at the age of 75 and was buried near the altar of the cathedral on the south side.
In 1893, in the monastery, under Abbot Jerome and with the participation of the abbess of the Assumption Convent, Abbess Euphrasia, the 300th anniversary of the appearance of the miraculous icon was solemnly celebrated.
At the end of the 19th century. the two original square corner towers on the south wall have been replaced by new round ones.
Archimandrite Agafangel (Makarin) was tonsured a monk in 1874 in the Zolotnikovskaya Hermitage (now the Bishop's Compound of the Assumption Zolotnikovskaya Hermitage of the Shuya Diocese), where he later served as rector. There he remained until his appointment as rector of the Lucian Hermitage on July 6, 1899.
During his abbess in 1902, the Moscow merchant Vasily Semenovich Korshakov laid out the floor in the Catherine Church with pottery cement portrait tiles. In the same year, new choirs were built there. In 1904, for the successful management of the monastery, the sixty-year-old abbot was promoted to the rank of archimandrite.
On October 22, 1906, Archimandrite Agafangel was killed in his cell by robbers during an armed attack on the monastery. At the monastery there was an overnight accommodation for wanderers, they were even given lunch and dinner. Due to the secluded position of the monastery, the monastery shelter was often used by unreliable people: simple and burglary thefts sometimes occurred in the monastery. Finally, the monastery was completely destroyed and the abbot was killed. It later turned out that some of the murderers were in the monastery lodging house along with the wanderers. Soon after this sad event, at the suggestion of the county police authorities, the shelter was closed. Shelter in the monastery hotel began to be given only to persons known to the monastery authorities and poor pilgrims who had the proper documents, and no more than 3 people were accepted.
In 1916, Abbot Cornelius was the rector.
According to documents from 1917, there were 37 people in the monastic brethren, headed by Abbot Ignatius.
In 1920, in the Lucianova Hermitage, he was tonsured a monk, shot on April 5, 1938 at the Butovo training ground and glorified in the host of New Martyrs and Confessors of Russia.
In 1922, the monastic hostel was ruined by the godless authorities. The monks, warned in advance of the impending arrest, left the monastery. All the property went to the museum, some of the icons and shrines of the monastery were desecrated and destroyed, and the buildings were transferred to the neighboring tribal state farm.
The whereabouts of the revealed miraculous icon of the Nativity of the Blessed Virgin Mary remains unknown to this day. In 1924, the Church of the Epiphany was given over to a shelter for street children. In 1925, a club was established in the Catherine Church. Chapel of St. Luciana was destroyed in 1926, but by the Providence of God the relics of the Saint were preserved undamaged. Subsequently, the church buildings were transferred to the city prison for juvenile offenders. The burial places of the descendants of Vasily Sobakin, the father of Queen Martha, the wife of Ivan the Terrible, abbot of the Lucian Hermitage Abraham and other abbots (in the crypt under the altar of the Nativity Cathedral) were looted, desecrated and destroyed. In the 1970s, the monastery became a nursing home, with departments for the mentally ill and the blind. In 1988, the monastery complex was transferred for use to the Aleksandrovsky Artificial Leather Plant, which used it as an economic base.
In 1991, the Lukian Hermitage was the first in the Vladimir diocese to be revived from oblivion. By that time, the ancient monastery had fallen into complete decline. The opening of the desert took place on the 6th Sunday of Easter and turned out to be associated with the renewal of the religious procession established in 1771.
In 1992, the holy relics of St. Petersburg, which had been hidden for more than 350 years, were discovered. Luciana.
Some of the new inhabitants of the monastery have already rested in the cemetery of the restored monastery. Thus, the nurse Ekaterina, to whom in Soviet times an elder monk lit lamps in a destroyed church appeared in a subtle dream, rested in the monastery grounds, already being the nun Varvara. Not far from it is the grave of a desert dweller, the famous spiritual writer monk Mercury (Popova, +1996), author of the books “In the Caucasus Mountains” and “Notes of a Monk Confessor”.
Religious Organization "Monastery of St. Lucian's Men's Hermitage Near the City of Alexandrov, Vladimir Region, Alexandrov Diocese of the Russian Orthodox Church (Moscow Patriarchate)" has been operating since December 29, 1999.
In 1999, with the blessing of His Holiness Patriarch Alexy, the icon “Abbess of Holy Mount Athos” was solemnly delivered from Athos. This icon was painted by the Greek icon painter Schemamonk Paisius especially for the monastery.
The first Abbot of the monastery, Archimandrite Dosifei (Danilenko), who headed it for 17 years after its opening (from 1991 to 2008), rested in the Lord on March 13, 2009 and was buried at the Troekurovsky cemetery in Moscow.
The restoration of the Mother of God of the Nativity of St. Lucian's Hermitage is fraught with considerable difficulties. Large amounts of money and material resources are required to continue the restoration of the main shrine of the monastery - the Cathedral of the Nativity of the Blessed Virgin Mary. The monastery does not have the holy gates destroyed in Soviet times, only the foundation remains of the elegant chapel that once stood on the burial site of St. Lucian. There are no funds to restore the hospital church in the name of the Holy Great Martyr Catherine. The abbot's building, the monastery wall, its towers and much more need major repairs. But the inhabitants of the monastery do not complain about the hardships and inconveniences associated with restoration work, and hope that the prayerful intercession of the Mother of God, the intercession of the Heavenly Patron of the desert, St. Lucian, fervent prayers, and the feasible help of parishioners and benefactors of the monastery will support them in this good work.
Jesus, Mother of God, etc. Lucian and Cornelius 
Icon of the Nativity of the Blessed Virgin Mary 
Icon of the Mother of God “Unfading Color”
Athonite Icon of the Mother of God
Athonite Icon of the Mother of God
The great joy of the monastery was the icon of the Mother of God under the completely new name from all previously known “Abbess of the Holy Mount Athos”, delivered from Greece, from the Holy Mountain, with the blessing of His Holiness Patriarch Alexy II. Now this holy image of the Mother of God vividly confirms the faith of the inhabitants of the monastery about some special heavenly care from life, which is not easy in their everyday life in the midst of a world raging in the passions. Something close and similar can be seen in the coming of this Athos icon of the Mother of God to this historical place, once consecrated by the holy icon of Her Nativity, which became a monastic inheritance.
The Athos icon has its own interesting story.
This icon is truly new in its content and origin, painted by the Greek icon painter of the Athos monastery, Schemamonk Paisius. The author of the letter boldly placed the Mother of God with the abbot's staff over the entire monastic island in the presence of two Russian monks - the Venerables Anthony and Silouan, clearly depicting the thought for those praying about Her standing before God day and night for those who strive for the salvation of the soul as the most holy cause of life. The path from Athos to Russia, to the Lucian Hermitage was surprisingly bright for this icon.
The transportation of the holy icon by sea and by air was organized by the rector of the Athos metochion in Moscow, Abbot Nikon (Smirnov). He saw the miracle of this icon. On a separate voyage of a ship called “Quick to Hear”, she chose to go by sea from the Holy Mountain to the pier of the city of Ouranoupolis, leaving the standard and passenger voyage, always noisy and not entirely reverent. In Moscow, the holy icon was greeted by a large number of monastic communities of the Vladimir diocese as a visible blessing from the Mother of God for them. It is impossible to convey all the feelings, all the trembling of hearts from seeing the holy image of the Mother of God, redly and directly Paschal painted with the prayer and love of an Athonite monk. Here the image was enclosed in a casket with flowers. The first prayers flowed before She who appeared from the Holy Mountain in order to strengthen those seeking heavenly peace of soul. In Vladimir, an unprecedented meeting of the icon took place with its townspeople, starting with its top officials. For a month, the “Abbess of Holy Mount Athos” visited all the monasteries of the diocese and large cities, meeting with great veneration and ardent reverence from people’s hearts. In the monasteries, services were held at night, turning in prayers into day for the soul that does not know earthly time. It is difficult to cover all the cases of people who saw changes in their lives as a result of their appeals and prayers to the Mother of God. The last stop and final stop for the icon, delivered from the city of Kirzhach, was the Lucian monastery. With a procession of the cross and fraternal singing, the image of the Mother of God was brought into the Epiphany Church of the monastery on October 25, 1999, adorning it with the heavenly beauty of the Unbrided Bride.
The rector is Hegumen Shibeko Vladimir Stepanovich.
Website of the Mother of God of the Nativity of St. Lucian's men's hermitage - http://www.slpustin.ru/
Copyright © 2015 Unconditional love
Mother of God of the Nativity of St. Lucian's Hermitage(Russia, Vladimir region, Alexandrovsky district, Lukyantsevo village)
From Aleksandrov to Lukyantsevo it’s about 13 km along the highway to the north. We arrived at the monastery in the evening, the monastery was deserted (there was a service in the church), we were the only visitors, so there was a rare opportunity to wander inside the walls in complete solitude.
The ensemble is being actively revived - intensive renovation work is underway, so the time is not far off when it will appear before us in its former beauty and grandeur.
The monastery has ancient buildings that have hardly suffered from alterations, despite all the twists and turns of history. Here is a brief description of the structures with dates:
Church of the Nativity of the Virgin Mary built and consecrated in 1712 under Abbot Abraham. Church of the Epiphany started prp. Cornelius in 1680. The consecration of the temple took place under the builder Evagrius in 1684. “Shelves” were made under the temple for storing household supplies. The sacristy of the monastery was located in a special room.
Church of the Great Martyr Catherine consecrated on November 10, 1714 as a hospital church. In 1834, the temple was rebuilt with funds from the Alexander merchants. There were hospital cells near the church. Chapel of St. Luciana delivered in the 18th century. over the grave of St. Lucian with the diligence of the residents of Alexandrov. Completely destroyed in 1926
Abbot's corps. The lower stone floor was built in 1694–1696. Abbot Joseph and was called grain cells with services. A wooden second floor was built in 1820 under Abbot Cyprian for the abbot’s premises. Cell building built in 1690 for elderly monks. At the beginning of the 19th century. a wooden chopped second floor was built on. During the abbotship of Abbot Macarius (1860-1874), the wooden floor was replaced by a stone one. Modern building - hotel erected in 2003 to accommodate pilgrims and guests of the monastery.
S.V. Bulgakov described the monastery this way in his work “Russian Monasteries in 1913”: “Lucian’s Nativity is the Mother of God Hermitage, unemployed, communal, 10 versts from the city of Alexandrov. Founded in 1594 by priest Gregory; in the 17th century ruined by the Poles; in 1640 it was resumed by Hieromonk Lucian and began to be called the Lucian monastery. In the desert there is a miraculous icon of the Nativity of the Blessed Virgin Mary, discovered in 1593...”
Layout of the monastery
- Cathedral of the Nativity
- Church of the Epiphany
- Catherine's Church
- Chapel of St. Luciana
- Abbot's corps
- Fraternal Corps
- Ruins of the treasury building
- Hotel
- Hospice
- Utility buildings
- Fence walls
Monastery of St. Lucian after the Great October Revolution
“Lukianova Hermitage was closed in 1920. The monks and novices were ordered to leave the monastery. Their further fate is unknown. Divine services in all churches were stopped. Soon the temples themselves, as ancient monuments, were placed under the protection of the newly created Alexandrov Sloboda Museum, which was located on the territory of the Assumption Monastery in Alexandrov.
After the closure of the desert, documents and many icons from the cathedral and the Epiphany Church went to the museum, and some icons and items of monastery property were simply looted. The non-temple buildings of the monastery were transferred to the tribal state farm, which was obliged to protect these buildings from destruction. In 1924, the warm Church of the Epiphany was given over to a school. In 1925, at the request of the Komsomol, a club was established in the Catherine Church. At the same time, when the bells were removed, the bell tower at the Epiphany Church was damaged. The chapel of St. Lucian was desecrated and completely destroyed in 1926. Subsequently, the church buildings were transferred by the museum to the prison house, which was transferred from the city of Alexandrov to the Lukian Hermitage. The burial places of the descendants of Vasily Sobakin, the father of Martha, the wife of Tsar Ivan the Terrible, as well as the abbot of the Lucian Hermitage, Father Abraham, in the Nativity Cathedral were desecrated and destroyed. In the 1970s, the rectory building housed a hospital.
In 1922, during the confiscation of church valuables from churches and monasteries, 2 pounds 24 pounds (more than forty kilograms) of silver in the form of icon frames (in particular, a robe from the Image of the Savior Not Made by Hands from the cathedral weighing nine and a half kilograms) were confiscated from the Lucian Hermitage ), liturgical vessels, crosses, censers, lamps and even decorations from the ancient Gospels. The robe was also removed from the miraculous icon. Believers from the city of Alexandrov collected silver coins and scrap of silver and gold, equal to the weight of the frame of the miraculous icon (about five kilograms), and, handing it over, bought the robe. The icon itself was taken to the Alexandrova Sloboda Museum.
In 1927, parishioners of the Nativity Cathedral in the city of Alexandrov sent a letter to the museum directorate with a request to transfer to the existing cathedral the icon of the Nativity of the Blessed Virgin Mary, which was very expensive “for every believer who is accustomed to honoring this icon as a shrine of his heart.” The request was not granted. At present, the whereabouts of the revealed miraculous icon of the Nativity of the Blessed Virgin Mary remains unknown. (The revealed miraculous icon of the Nativity of the Blessed Virgin Mary, painted in the 16th century, belongs to the Novgorod school of icon painting. Its dimensions are 75.5 × 62 cm. The size of the hagiographic icon into which the revealed icon was inserted is 164.5 × 131.2 cm.)
The revealed icon of the Nativity of the Most Holy Theotokos of the Lucian Hermitage has been revered since ancient times in Rus' and became famous for its miracles. Along with two other famous revealed icons of the Nativity of the Blessed Virgin Mary, Syamskaya and Isaac, it is revered on the day of the Feast of the Nativity of the Blessed Virgin Mary by the entire Russian Orthodox Church.
During Soviet times, the temples of the Lucian Hermitage were not repaired and were gradually destroyed. As in those distant times of the Polish invasion, they stood desecrated and plundered, without prayer or singing, on land consecrated by the threefold appearance of the icon of the Most Holy Theotokos.”
The Nativity of the Mother of God St. Lucian's men's hermitage was founded by the Monk Lucian on the site of the miraculous appearance of the icon of the Nativity of the Blessed Virgin Mary. The monastery gained fame due to the severity of monastic life and external splendor.
Mother of God of the Nativity of Lucian's Hermitage associated with close ties. Both the founder of the Assumption Monastery and the successor of his work, the organizer of the monastery, the Monk Cornelius, were abbots of the desert.
Tradition of the founding of the Lucian Hermitage
The history of the Lucian Hermitage dates back to 1594. In the village of Ignatyevo, not far from the Alexandrovskaya Sloboda, at the behest of Tsar Theodore Ioannovich and with the blessing of His Holiness Patriarch Job, a wooden church was erected in honor of the Nativity of the Blessed Virgin Mary. One day, the priest of this church, Father Gregory, entering it before the start of the service, did not find the temple icon of the Nativity of the Blessed Virgin Mary in its usual place. Only a few days later, one of the local residents discovered her nearby, in the forest tract “Pskovitino Ramenye”. “And then that dearest treasure appeared to him - the holy icon of the Mother of God. Ole miracle, standing about itself, in the air...”
Both the priest and parishioners were informed about the find. Everyone hurried to the indicated place. “They fell before the image of the Most Holy Theotokos, praying with tears for many hours.” The icon was reverently taken back to the temple. After some time, everything repeated itself: the icon inexplicably disappeared, then appeared in the same deserted place in the forest, standing “in the air.” Again the icon was returned to the temple, but soon disappeared again and appeared in the same place. Saint Job, Patriarch of Moscow, having learned about this, blessed the transfer of the wooden church from the village of Ignatyevo to the place of the unusual appearance of the icon of the Most Holy Theotokos. The priest, with the blessing, with the help of the parishioners, moved the church to the place of the miraculous appearance of the icon and settled with it.
History of the monastery
Sasha Mitrakhovich 23.12.2017 14:06
The construction of a new five-domed stone cathedral on the very spot where the first wooden church of the Nativity of the Virgin stood began in the last years of the 17th century. The construction of the cathedral was entrusted to the mason Shabunin “and his comrades.”
The cathedral is a clear example. In this case, it is a late embodiment of this style in combination with the pillarless composition traditional for Russian temple architecture.
A tall three-light quadrangle, placed on a basement, is completed with five small cylindrical drums with heads and complemented by a three-part altar apse, three-lobed in plan. The quadrangle is covered with a steep closed vault, and the apse is covered with a three-part conch.
All facades of the temple are divided by blades into three high spindles, each of which is completed with a kokoshnik. The western facade, as well as large parts of the northern and southern facades, are surrounded by a spacious gallery. Having survived numerous “owners” of the monastery, it has survived to this day in a dilapidated state and is awaiting restoration. In the third level of light there are tall windows framed by frames in the Naryshkin Baroque style with thin columns and broken triangular pediments. In the windows of all tiers, forged iron bars made of strips of rectangular section have been preserved. On the windows of the second and third light, the grilles are wavy and made of rods with a round cross-section.
Noteworthy are the large, original S-shaped anchors, which were used during the restoration of the temple in 1851 along the entire perimeter to strengthen the building.
In the basement floor of the temple, before the closure of the monastery, there was a necropolis of representatives of the Sobakin family of nobles, abbot Abraham and other benefactors of the monastery who were buried here. The crypt was restored in 2016.
The Virgin Mary Cathedral of Lucian's Hermitage inside
In 1893, in the Lucianovo Monastery they were preparing to solemnly celebrate the upcoming 300th anniversary of the appearance of the miraculous icon of the Nativity of the Blessed Virgin Mary. For this significant date, paintings were done on the interior walls of the cathedral.
Only the northern, western and southern walls of the quadrangle are painted. On each of them there are three compositions, united by ornamental arches. On the north wall are the compositions “Healing the Blind,” “The Sermon of John the Baptist,” and “The Blessing of the Children.”
In the piers of the lower row of windows there are images of Saints Cyril, Andrew and John.
On the south wall are the compositions “The Resurrection of Jairus’ Daughter,” “The Sermon on the Mount,” and “The Healing of the Paralytic.” Between the windows are Saints Ephraim and Euthymius.
The images of saints are dominated by blue, light green and pinkish saturated colors.
After the closure of the monastery, when the territory of the monastery was occupied by a home for the disabled, the central part of the cathedral was used for drying clothes, so most of the paintings have survived to this day. Today they delight the eyes of the monks and pilgrims of the monastery. But the brethren do not lose hope that in the near future the paintings will be restored and will once again shine with their pristine beauty in the restored cathedral.
Sasha Mitrakhovich 29.12.2018 08:13
The Temple of the Epiphany is the most ancient in the Lucian Hermitage. Its construction began in 1680 on the initiative of St. Cornelius.
The quadrangle and the refectory form a single, longitudinally elongated two-story volume, ending in the east with two faceted apses: a larger one on the south side and a smaller one, an apse, on the north. Above the eastern part of the entire volume rises a quadrangle common to the main and side temples, elongated in the transverse direction - it ends with two domes on round blind drums.
From the west you can see a tented bell tower with an octagonal ringing tier on a square base in plan and two tiers of rumors in the tent. The bell tower contains five bells from the 19th - early 20th centuries.
In front of the bell tower, a white stone porch with a tetrahedral tent on four pillars was erected, evoking associations with illustrations from Russian folk tales. It was added later, and its modest eclectic decor with arches and hanging “weights” imitates the fashion of that time.
The premises of the Epiphany Church on two floors are spacious, while the chapel is very small in size and has a small apse. The aisles of the temple and the apse are covered with box vaults, and the apse of the aisle is covered with a faceted conch. The rooms on the sides of the bell tower have tray vaults.
Inside the Church of the Epiphany in Lucian's Hermitage
The Church of the Epiphany with the chapel of Theodore Stratilates is the only functioning church in the monastery.
From a large stone porch with columns and a vault topped with a cross, a steep staircase leads to the entrance to the temple. The walls of the staircase were painted in 2012.
Everything inside the temple is simple, there is no pretentiousness, the walls are not painted. Small windows and high vaulted ceilings create subdued soft lighting even on the sunniest days.
In the central chapel of the Epiphany, services are performed on holidays and Sundays.
In the altar of the chapel there are most of the relics in a brass reliquary. On the wall of the altar there is an icon of the Nativity of the Blessed Virgin Mary (19th century copy), which was kept until 1994 by the believers of the village of Isaevka.
The place for the brethren of the monastery is separated from the refectory part of the temple by a small elevation, on which there is a choir, the place of the abbot and a festive icon. Noteworthy is the three-tiered brass candle chandelier with 32 candles located here.
In the refectory part of the chapel on the western side of the second pillar there is a large icon of the Nativity of the Blessed Virgin Mary, painted in 1998 based on information about the lost miraculous image. Around the icon, which is a centerpiece, the Lord's and Theotokos' feasts are written. At the southern wall of the refectory part of the temple, to the right of the entrance, in a wooden carved icon case, the main 19th-century image of the Nativity of the Blessed Virgin Mary, revered in the monastery, discovered in the Assumption Monastery in the 1990s, is kept. Nearby there is a gilded reliquary on a brass stand with the relics of 50 saints.
To the left of the entrance, at the eastern wall of the refectory part of the temple, is the icon of the Mother of God “Abbess of Holy Mount Athos” in a wooden carved icon case, next to it are the relics in a wooden carved shrine.
The northern aisle, consecrated in the name of the Great Martyr Theodore Stratilates, is used for daily services during the week. The iconostasis of the chapel is three-tiered, painted in dark green tones. Local icons - the Lord Pantocrator and the Mother of God "Smolensk" (the latter remained intact after almost half a century of desolation of the first wooden church at the beginning of the 17th century, along with the revealed icon of the Nativity of the Blessed Virgin Mary).
On the northern side of the second pillar from the entrance there is an 18th-century icon of the Mother of God “Unfading Flower”. On the northern wall of the chapel, closer to the altar, there is a large icon of the Royal Passion-Bearers, painted in the early 2000s. This part of the temple is also used for the sacrament of baptism and the great blessing of water on the feast of Epiphany.
Sasha Mitrakhovich 29.12.2018 08:26
Loading...
